Two Cameras – One Color Output
Feb 2017 07

Deutscher Text >
The ability to accurately render color is important in photography. Product, Fashion and Art Reproduction photographers are several examples of people who require faithful color reproduction. Camera calibration is an important component to attain faithful results. However, there is another application for camera calibration that is just as important – consistency between cameras.

[Read More]
Using Adobe Lightroom’s new Reference View and Datacolor tools to get better color
Feb 2017 01

Getting color right across multiple images is hard. Our visual memories are typically not very accurate, so flipping back and forth between images doesn’t work very well. Fortunately, Adobe has added a new feature to Lightroom CC that helps us. Called Reference View, it lets you put two images on the screen at once.

[Read More]
Behind the Scenes with Marcus Schwier
Jan 2017 16

Deutscher Text >
Friend with Vision photographer Marcus Schwier will be participating in two photo exhibitions in Germany. Starting during Düsseldorf Photo Weekend from February 5 until March 12 at Benrath Castle, he’ll be presenting 5 works, each forming a series of photographs around the photographic genres of architecture, people and landscape photography.

[Read More]
Room Light Compensation to Calibrate Contrast
Jan 2017 13

Monitors work with an additive color palette while an inkjet printer works with a subtractive one. If all colors at the highest level of saturation are arranged at one point on your screen the resulting color is white. The same scenario with your printer results in black.

[Read More]
Improving the Tonal Range of a Print with SpyderPRINT
Jan 2017 10

Deutscher Text >
Have you ever made a print that doesn’t have the same dynamic feel you saw on your display? It is a very common problem and the cause of much disappointment. Making a print with a full tonal range and detail in the shadows & highlights might be a simple fix.

[Read More]
Page 1 of 6412345...102030...Last »