C. David Tobie: The Retina iMac for Photo and Video Work, Part I
Oct 2014 28

In a few short years the iMac has moved from being a rather slow, utilitarian looking machine that could not be recommended for photo or video work, to a big, beautiful device with wide viewing angles, high resolution displays, and full external display support. Apple’s new 27-inch iMac with Retina Display takes this evolution a big step further.

Until recently the question has been: is the iMac an acceptable image-editing machine for basic users, who can’t justify more expensive equipment? And once IPS (In-Plane Switching) screens with wider viewing angles, wider ranging dimmer controls, and better external display support were added, the answer was finally “Yes”.

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Be Our Guest at the PDN PhotoPlus Expo – New York, NY
Oct 2014 24

Join us October 30th-November 1st at PhotoPlus as a complimentary Datacolor EXPO guest. The PDN PhotoPlus International Conference + Expo is the largest photography and imaging show in North America, attended by over 24,000 professional photographers and enthusiasts. Explore over 250 exhibits, see thousands of new products, and attend conference seminars, keynote presentations, special events & much more.

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C. David Tobie: SAD (Seasonal Affective Disorder) and its effects on Photo and Video Editors
Oct 2014 23

Recent studies have found a new type of light sensor in the eye, in addition to the rods and cones we are familiar with for color, and black and white vision. This type of sensor has nothing to do with vision, but may have a big impact on photographers and videographers, as it relates to a condition commonly seen in those who edit images for a living. This article will describe that condition: Seasonal Affective Disorder (SAD), its symptoms and its triggers, as well as offering suggestions to avoid SAD when doing photo and video editing work under controlled light conditions. Lets take a look at how SAD works.

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Hunter McRae: Before and After: How to Take Beautiful Images in Minimal Light
Oct 2014 15

You risk taking a blurry image if you don’t use the right gear and the most appropriate camera settings when working in low light situations. The goal is always capturing the highest quality, sharpest image possible. Fortunately, the combination of sophisticated post processing and modern equipment has opened doors not available to previous generations of photographers.
If you start by setting your camera to capture images in RAW format, you will have greater leverage to manipulate and brighten while post processing.

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