I’ve spent the last few days supporting the opening sessions of Shane Hurlbut’s Illumination Experience Video Tour. Datacolor is a sponsor of these events, which will take place in 26 cities.
The sessions are “intended for any filmmaker seeking industry insight on cinematic lighting and cinematography” – but they are much more than that. These workshops cover a lot of ground – from lighting basics through full cinematic setups, to camera operation and exposure management, to on-set color controls, plus post-production tips and more – and, Shane is one of the top instructors in the field.[Read More]
Join our discussion where we’ll cover image selection, basic editing for color and tonality, fundamental retouching, basic multi-image layout and design, optimizing output images for resolution and sharpness, and more. We’ll also discuss managing color on the computer you use for image editing and communicating effectively with print/publishing houses.[Read More]
When shooting celebrities, even though you may know them or are comfortable with the talent, you still need to make certain you create a good flow, with smooth transitions from set to set. They are most often in a very tight schedule, and keeping your sets pre-lit, helps them just step in and be part of the shoot. Part of this process is always having the proper white balance calibration for each set.
Eddie Griffin, my subject for this shoot, is a funny guy. I’ve been photographing Eddie’s personal work now for the past five years, and every time it’s a hoot. I let him do his own thing, and I just simply sit back and record the session, click by click.[Read More]
There is a lot of hype, if you’ll excuse the pun, about hyperlapse at the moment. That’s due to two recent announcements: one from Microsoft, in the form of a Hyperlapse Whitepaper and video sample, and the other from Instagram, who has released a hyperlapse iPhone App.
But first, in case you have been on safari for the last few weeks, and have never heard of hyperlapse, a quick definition: Hyperlapse can mean simply shooting time lapse with a moving camera. But here we are referring to a technique to stabilize action video capture, while reducing frame rate. The result is time lapse (high speed video) that is very smooth, even if the original video was very jumpy.
The question for the serious photographer is: what does hyperlapse mean to me, and should I be investigating it for my own work? The answer to this takes several forms. Lets start with those of you already shooting time lapse.[Read More]