One of the comments I hear frequently from attendees at my lectures is “Wow, you must be extremely lucky to pull up and get that shot!”.
The truth of the matter is that luck has a little to do with creating great images, however planning, patience and persistence are the key ingredients to creating great images, no matter what your subject is.[Read More]
There are points in which we all need a change in the scenery! You may be shooting for four years or forty years and you take a look at your work and feel that you need something to motivate you to see things differently than you are used to. How do we accomplish broadening our style, you might ask? Well, in order to see through new eyes, we need to make conscious decisions to look at different subjects, a new lens, or possibly a new format.[Read More]
Visual color assessment of the Retina iMac’s display shows it to be close to the target values, closer than many off-the-shelf displays. Its color and densities, out of the box, would be better for general consumer use than almost any other solution, short of top-end dedicated graphics displays.
That’s great news for most users, but not quite enough for those doing serious color work, including photography, on the iMac. The display we tested was just a bit denser in the midtones than would be ideal, and the colors are a bit punchy.[Read More]
In a few short years the iMac has moved from being a rather slow, utilitarian looking machine that could not be recommended for photo or video work, to a big, beautiful device with wide viewing angles, high resolution displays, and full external display support. Apple’s new 27-inch iMac with Retina Display takes this evolution a big step further.
Until recently the question has been: is the iMac an acceptable image-editing machine for basic users, who can’t justify more expensive equipment? And once IPS (In-Plane Switching) screens with wider viewing angles, wider ranging dimmer controls, and better external display support were added, the answer was finally “Yes”.[Read More]